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FOR SORE EYES // by Anders Weberg
duration 2min17sec / 2006
preview link:
http://recycled.se/project/for-sore-eyes/
“For Sore Eyes” is another exploration of the ambivalence of the male gaze and gendered (dis)order. It is a suggestive reflection of life in the pyrotechnic in sanatorium of consumerism freedom. But what is really freedom?
MAMO - MOTHER // by Anders Weberg
duration 2.30 min / August / 2008
Video and Sound by Anders Weberg
Filmed with mobile phone. ( Nokia N82 Black)
Senses and memories of motherhood evoked by visiting Birkenau (Auschwitz II) in
MIRROR MIRROR // Collaboration Anders Weberg,
duration 2min30sec / July 2009
A mirror is an object with at least one polished and therefore reflective surface. The most familiar type of mirror is the plane mirror, which has a flat surface. Curved mirrors are also used, to produce magnified or diminished images or focus light or simply distort the reflected image. Mirrors are commonly used for personal grooming (in which case the old-fashioned term "looking-glass" can be used), decoration, and architecture. In this instance - two people are the mirrors, making an attempt at echoing their emotions through visual media. The looking glass of the soul. Also the artists Anders Weberg & Alison Wiliams have never met in real life, only seen each other on line and therefore their emotions are kind of filtered by the net. More "unreal" than real.
ELSEWHERENESS –
2008
Commissioned by the Dislocate 08 festival in Yokohama/Tokyo
link: http://www.elsewhereness.com
The works in the Elsewhereness series are made solely from audio and videomaterial found on the web, material that emanates from a specific place. The audiovisual pieces are manipulated and composed into a surreal journey through an estranged landscape, based entirely on the culturally bound and stereotypical preconceptions of the artists about the actual location. The finished Elsewhereness work can be downloaded into a media player or mobile phone and enjoyed when walking around the surroundings of the specific place, from which the material emanates.
The first part of the series was Elsewhereness: Yokohama, commissioned by the Dislocate 08 festival in Yokohama/Tokyo. The second part was Eslewhereness:
As the series expands, a number of places will be joined over time into a web of surreal associations of difference and similarity, reflecting something about the various places but also about cultural preconceptions.
ANDERS WEBERG // ARTIST // FILM MAKER
1968, born in
Anders is an artist and filmmaker working in video, sound, new media and installations and he is primarily concerned with identity. The human body lies at the root of projects that formally and conceptually chart identity and its construction as a preamble to broaching matters of violence, genders, memory, loss or ideology in which personal experiences co-exists with references to popular culture, the media and consumerism. Specializing in digital technologies, he aims to mix genres and ways of expression to explore the potential of audio visual media. Currently based Malmö in the south of Sweden and has exhibited at numerous art/film festivals, galleries, and museums internationally.
KINO ŠIŠKA
Center for the Urban Culture
Ljubljana (Slovenia)
Opening 1st December 2009
Everyday from 9am till 8pm
3.KANAL
slo/eng
http://www.kinosiska.si/sl/dogodki/razstave-in-film/2009-12-01/
http://www.kinosiska.si/en/events/exhibitions-and-film/2009-12-01/
KINO ŠIŠKA:
P.I.O. [Perfect Italian Obsession]
2009
c-print on plexiglass
17x15cm
© Michele Drascek
We are collapsing in the disorder and in the banality.
We are on the ragged edge.
[Riccardo Muti, orchestra conductor]
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Italy runs the risk to turn into a cultural Disneyland.
[Fareed Zakaria, Newsweek director]
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This is a work on the special case of the current Italian Prime Minister.
He is a cultural obsession.
He is a political obsession: 3rd time Prime Minister.
He is a psychological obsession: the firm belief to be in the right and to do the right thing.
He is a behavioural obsession: the known international gaffes.
He is an obsession for himself: the unlimited need of power of a self-made man.
The image that I choose is a representative posture of the power.
The blurring of the portrait is the consequence of his obsessions which brings to loose the contact with the Real. And it is the consequence of his cultural, political, psychological and behavioural way of acting, so unreal that it is quite difficult by this time to recognize it like possible.
This work communicate how deep is the impact of the Italian Prime Minister personal behaviour and way of govern the Country on the outside general perception of the Country itself and, moreover, of the Italian people.
It isn’t funny anymore. It is a theatrically tragic situation.
SCCA - LJUBLJANA Center for Contemporary Art
WORLD OF ART, School of Contemporary Art
Year 2008/09
Laboratorium of curatorial practices
Suzana Milevska
Curator as a Translator of Theory into Practice
Workshop in four parts
April 10-13, 2009
SCCA Project Room, Metelkova 6, Ljubljana
The four day long workshop will try to show how important is the relation between contemporary curating and theoretical discourses and how important it is that the position of contemporary curator is epistemologically explained. With the term translation (instead of ‘use’) we emphasize the awareness of limitations which occur when theoretical concepts are used as an excuse/advocacy of the curatorial choice of models, strategies and relationships instead of using this concepts as starting points for a self-critical reflection on art and curatorial choices.
The workshop will try to give an answer to the following questions:
FOUR PROPOSALS ON THE BORDER
BETWEEN REALITY AND VIRTUALITY
Michele Drascek LAND 5B23 on Border.fotoup.net:
http://border.fotoup.net/_partecipanti/46/michele-drascek
The exhibition and videos will be visitable/watchable in Real Life ans Second Life until April 5, 2009:
http://slurl.com/secondlife/Decoder/42/48/2
The multimedia DVD ToEastWest, a program of study covering the history, the places of memory and the present european border, produced for Italian high school students.
Includes the video documentary BORDERLAND [refer to post BORDERLAND in ESPACIO ARTE ACTUAL - QUITO].